Re-Wombing: Be a Thread in the Tapestry of Healing

Re-Wombing - Workshop Images-2.png
IMG_1821.jpeg
IMG_1778.jpeg
IMG_1756.jpeg
IMG_1763.jpeg
Re-Wombing - Workshop Images-2.png
IMG_1821.jpeg
IMG_1778.jpeg
IMG_1756.jpeg
IMG_1763.jpeg

Re-Wombing: Be a Thread in the Tapestry of Healing

$40.00

Oct 12th, 2024 - 10:00am -12:00pm or 2:00-4:00pm

Join artist, spiritual psychologist and reiki practicioner, Paige Stewart, in small group course created to maximize the amplification of her artwork for your personal healing and upliftment. This sacred practice for creating healing will include meditation, lightwork and re-wombing from the artwork.

I had this idea for the Re-Wombing after speaking with other friends who have had different and similar trauma and felt as though the person they was had died. I had felt the person I knew and understood myself to be was dead. So the making of the womb is for all of us, who have died, who’s idea of themselves no longer belongs, to re-enter the cycle of becoming, crawl into the void, the womb and to see what/who is now there when the wounds close up or gape open, who is she? Then rebirth yourself, claim yourself, return to yourself and untether yourself but come back to life, the to preciousness of living, of being. And the joy that you inherently are.

Session:
Quantity:
Register Now

Paige Stewart is a contemporary sculpture artist whose work is strongly influenced by her background in Spiritual Psychology. Each of her bodies of work reflects some part of her learned process of healing and integration. Through sculptural abstraction, primitive modern motifs, and openings she allows people to derive their own meaning and have an opportunity for reflection and healing. She primarily uses clay for its flexibility and fluidity to communicate these ideas. Her current fabric installation sculpture is just the beginning of a series of artworks that amplify healing for others.

Featured
LAMPS IN BRITISH VOGUE
LAMPS IN BRITISH VOGUE

It’s been a vastly expansive year for me. The opportunity to be in British Vogue was not even on my radar so what a special gift to be in this month’s magazine. To me it has been a great gift of external reality lining up with inner reality. As I validated and recognized the value and quality of the work I have been making, regardless of whether I was receiving any recognition. Which has not been easy, and it is affirming to be recognized by an institution like @britishvogue . So grateful for my lamps to be included.

QUARTERLIES
QUARTERLIES

Allison Sinkewich and her series of cross-stitch stills from “2001, A Space Odyssey” by Stanley Kubrick. This set of 12 stills has a profound level of precision and vibrancy. At first glance the work looks like a photo, as you get closer you see the individual stitches acting like ones and zeros like a computer’s color display system. The artist has created a dialogue between thread and technology, AI and ancient practice, art and its creator.

NEW STUDIO
NEW STUDIO

“Nobody knows what the fuck they are doing at any level, so just go for it.”

This statement may be crass, but it is also one of the most helpful realizations I have ever had in my life. I have a habit of overthinking, a habit of perfectionism. I want to do all the messy work behind the scenes and then poof, like a magic trick, share the perfect, final version. And I have done this because that's what I thought I had to do to be enough, to be worthy, to be a real artist, and so people take me seriously and of value.